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got a new mic to record with. is it good enough for real studio quality recording? - Page 5

post #41 of 54
Quote:
Originally Posted by SpookedJunglist View Post
I agree...

I also agree that it will not be up to par with studio level recording over all.
I also agree that it will most likely make him happy until he decides to move on.

Didn't mean to step on your toes or anything. Sent you a PM to talk about it. I know both of us know too much about this kind of thing. And both of us know that this field is filled with opinions.

I honestly have no idea what a good usb mic is lol. I am used to having an arsenal of studio quality mics on hand for me.

When I started working with 32 leaves I got a bunch of Telefunkten mics for free. I honestly never worked with them before. Their record label had a deal with them for some reason. Pretty mics, but I used what I knew of course. As with most engineers we always use what we know.
hehe I saw the message telling me that I had a message, but I had to shoot these replies out before I lost the emotion.

But yeah, I can imagine being the same way. Not only does it seem like it would be a comfort level, but I bet it's also a way to remain as efficient as possible. I mean, if I got to know a set of high-end mics really well, then I wouldn't want to waste a customer's time by trying to get to know a new set just because that's what they have. Instead, I'd always bring my mics and say "Nah, I already know these mics, so we will save a ton of time here and get excellent high quality results to boot".
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post #42 of 54

I love the sound of an SM57 for micing a guitar cabinet, to be honest.


This was recorded with an SM57.
    
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post #43 of 54
Quote:
Originally Posted by TwoCables View Post
Yeah, it just makes me want to say "Look, let's chill out. He got this mic for free. So what do you think he's asking?"

It just makes my head hurt. lol
I agree .

If you have any questions about this field feel free to ask me or two cables. I am sure both ofos can give you a awesome answer. I have worked with dubstep and drum and bass artists. But none of them recorded their own samples. If we can we can help you gear up to record anything...

Spooked
    
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post #44 of 54
Thread Starter 
Quote:
Originally Posted by TwoCables View Post
Y'know, it wouldn't surprise me if this mic would do the job just fine. Plus, it was free!

But if you save up, then you could do some research (by asking around on appropriate message boards and reading reviews, etc.) and end up with a system that is perfectly suited for what you want to do. I'm not saying that this isn't, but it is still just a $150 large diaphragm USB mic. I mean, compare that to something like this:

http://pro-audio.musiciansfriend.com...one?sku=500390

I didn't choose this carefully. I did it a bit randomly, but I still looked around for about 20 seconds.

To you Metallica fans: this mic is likely on par with what mic they use for James Hetfield's lead vocals in the studio.

Anyway Corey, I think you might get the best answers from some kind of message board where nearly every member is passionate about this stuff. I mean here on OCN, most people are gamers, Overclockers, computer enthusiasts, etc. Only a small handful really understand this stuff (like Spooked). I am but a hack.
Dude that actually really helped. I doubt I'll get a perfect recording of bass now. You realize my subwoofer has a better THD rating than that multi thousand dollar mic? Lol. My velodyne uld 18 gets 104 db at 20 htz with 0.5% distortion while that mic gets 94 db with .5% distortion which is quite a bit better THD, lol and I'm not even sure if that was rated at 1khz or 20 htz or what on the mic lol. But I'm doubting I can play loud levels on my sub with no distortion after looking at that link, maybe lower levels will sound perfect?
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post #45 of 54
Quote:
Originally Posted by meticadpa View Post
I love the sound of an SM57 for micing a guitar cabinet, to be honest.

http://www.youtube.com/watch?v=e3zI-WwrtcA

This was recorded with an SM57.
I have to admit that I remember working with a guitarist (in other words, I was his drummer), and we made some fairly professional recordings with an elaborate setup that we all purchased with pooled money.

To my surprise, he used an Octava MK012 paired with an SM57! But he explained to me that this was similar to miking up a drumset! I asked why he didn't use a better mic than the 57, and then he tried to explain that it was hard to find a better mic for this application than the 57. But then in the same breath, he said that he still prefers better dynamic mics for vocals! And that doesn't mean the SM58.

Quote:
Originally Posted by SpookedJunglist View Post
I agree .

If you have any questions about this field feel free to ask me or two cables. I am sure both ofos can give you a awesome answer. I have worked with dubstep and drum and bass artists. But none of them recorded their own samples. If we can we can help you gear up to record anything...

Spooked
I believe you're the expert while I probably know about 5% of what you know.
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post #46 of 54
Quote:
Originally Posted by coreyL View Post
Dude that actually really helped. I doubt I'll get a perfect recording of bass now. You realize my subwoofer has a better THD rating than that multi thousand dollar mic? Lol. My velodyne uld 18 gets 104 db at 20 htz with 0.5% distortion while that mic gets 94 db with .5% distortion which is quite a bit better THD, lol and I'm not even sure if that was rated at 1khz or 20 htz or what on the mic lol. But I'm doubting I can play loud levels on my sub with no distortion after looking at that link, maybe lower levels will sound perfect?
I don't know how to explain it, but that distortion level doesn't mean much when it comes to mics like that. But it's mainly due to the applications. AND, I suppose it can also be a way for experts to know the mics limits so that they don't use it as a bass drum mic or something. hehe But now I'm getting in the realm of SPLs.

But why do you keep saying "htz" instead of "Hz"?
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post #47 of 54
These are the kind of threads that OCN is all about. Perfectly level-headed debate, people contributing, awesome music.

God damn I don't want to leave this thread.
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post #48 of 54
Thread Starter 
Quote:
Originally Posted by TwoCables View Post
I don't know how to explain it, but that distortion level doesn't mean much when it comes to mics like that. But it's mainly due to the applications. AND, I suppose it can also be a way for experts to know the mics limits so that they don't use it as a bass drum mic or something. hehe But now I'm getting in the realm of SPLs.

But why do you keep saying "htz" instead of "Hz"?
Lol. I'm used to htz my bad, I even forgot the difference. A 20Hz cycle is the cone moving back and fourth 20 times per second right?

It'd be nice if those specs were available for my mic lol.
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post #49 of 54
Quote:
Originally Posted by coreyL View Post
Lol. I'm used to htz my bad, I even forgot the difference. A 20Hz cycle is the cone moving back and fourth 20 times per second right?

It'd be nice if those specs were available for my mic lol.
Well, I think the specs are on the Yeti page I linked to earlier (which is here). Except now I can't access it, so if you can't either then that might mean their server is down right now.

But I don't know if it means "per second" or not. However, yeah, it's Hz and kHz. Or, just "k".
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post #50 of 54
I just noticed that this mic is limited to 16-bit, up to 48kHz. If I remember correctly, then I think DVDs are 16-bit at 48kHz. But still, here's where I am going with this:

If you had just a regular mic (not USB, but XLR) plugged into a regular unpowered, analog mixer, then you could record the "Tape Out" from that mixer through the Line-In on your sound card and record at 24-bit, 192kHz.

But, hehe, you'd never be able to hear the difference. Well, it would be almost impossible. I suppose some very professionally-trained Audiophiles might be able to hear a difference. Maybe.

This is just a fun thing I just thought of, that's all.
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