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Looking for some opinions/critiques of these logos - Page 2

post #11 of 12
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Quote:
Originally Posted by graphicsman;12474351 
I hope you have a contract written up for the price of each logo or something so your not gett screwed. If a client EVER aproaches me with no clue the worst thing that can be done is provide them with a ton of options.

As you can tell, logos aren't typically anything I'm involved with tongue.gif. This situation isn't the usual designer/client setup though. The museum is non-profit and I know the president of the board of directors. Just helping out some good people with design work they otherwise couldn't have paid to have done. If it ends up as something unique (going the art deco route), it may find its way into my portfolio though.
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post #12 of 12
You should look at all your designs, and choose 2 deco and 2 1900's that you think are the strongest. Introduce the client to the elements you think are strong, and explain why, then let them choose. Typically, given too many designs, people will just run amok with ideas and suggestions that don't move further towards a strong logo (they like the bad logos).

Move towards cutting designs out and arriving at 1 or 2, then make iterations.

If I showed them the deco images, I would show 10 and 17 and let them decide if they like the style/concept.
    
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